123movies Movie Frozen II With English Subtitles
release Year: 2019
Average Ratings: 7,6 of 10 Star
105889 votes
creator: Robert Lopez, Jennifer Lee
Duration: 1hour, 43M
Countries: USA
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Frozen ii lizard. Frozen ii music. Frozen ii stories. Any time that you have a story rooted in mythology, likely, the plot itself won't be especially interesting. These stories are thousands of years old, and have been reinterpreted numerous times. Modern storytelling is loosely based on these myths, for example, once you know Superman it's difficult to go back, and watch Disney's Hercules. But having classical mythology be so fundamental, and so to the forefront of the movie makes it difficult to apply many twists and surprises.
So the lacklustre storyline, to me at least, was understandable. That was the direction that they were going with, and I don't think they did it any disservice.
This film joins a pretty exclusive club. Disney doesn't do theatrically released sequels often: the only others are Rescuers Down Under, Ralph Breaks the Internet, Fantasia 2000, and Winnie the Pooh if you wish to count it. Despite everyone's outcry that sequels are creativity killers, I don't mind the idea of revisiting some of these characters and worlds. I don't think I'd mind too badly if they did more from time to time, so long as it isn't a huge marathon of them like Pixar had down, or currently like their live action remakes.
I was a huge fan of the first movie. I knew that it would be difficult to create a sequel to such a worldwide phenomenon, the expectations would be unfairly high. And I think knowing that this would be John Lasseter's swan song, and the final Disney film of the decade, just set them even higher.
I felt good watching it in theatres, but after I walked out, and started thinking critically about what I saw, things started to fall apart. I wanted to wait until some time had passed, and another rewatch, before I formed a concrete opinion on this film.
There are two areas that I found the most problems with.
Stories inheritly come from the idea that people are interesting. A lacklustre plot is made forgivable if the characters we follow are engaging. These are not the same characters that we left in the last movie, and even if some of these changes feel unnatural, it would be fine if they were given interesting things to do.
The worst offender of this is Kristoff. My personal favourite "Disney Prince" is Naveen, but I have a soft spot for this guy, because I feel like he's a very interesting character, even if the writers don't.
Leading up to the movie, Disney bragged "Oh, isn't this great? We're telling dudes that it's okay to have feelings and to express them, which, although a great lesson, is a slap in the face to the company's vast history of characters. So that also set an expectation.
Kristoff had lived practically alone in the mountains for almost all his life. He wants very little to do with people, even to the point of lacking empathy for them, which is such a great contrast to Anna, and part of why their chemistry worked so well in the first film. It makes sense, because he's likely only seen people harvest nature for personal gain, or in the case of the trolls, only show up when they need something. He also probably has a vast knowledge of nature and magic, which isn't utilized at all.
There was an opportunity in the film where he met Ryder who was genuinely wanted to help him, and had similar interests. This could have broken open his character so much, because it challenges him and his perspective, but it never leads anywhere.
His goal is "Get the girl. That's all. And I thought we moved past that, in this franchise, anyway. His song "Lost in the Woods" is absolutely fantastic in sound and lyric, but they cut him out of the movie right afterwards. I didn't think they meant that title literally. And you need engaging visuals in these songs, and you need to intersperse humour in there, I understand, but the music video cheapened the importance of what they were trying to accomplish. His feelings, and expressing them, turned into a joke, and it's such an outlier visually to anything else in this movie or the last.
But here's the thing. Couples should be a partnership, with equal back and forth. What does Anna offer Kristoff? Each time they're together, she doesn't seem interested in anything he has to say, jumps to conclusions, and pushes him away.
I know that Anna is supposed to be a bit naïve, but this is the only time she's like this, and it's annoying. Every other time we see her, she's much more calm. It's like two different characters. They took away a lot of her charm and humour in order to fit the mature tone, although she has good moments, she doesn't stand out as a character until the very end, where they suddenly remembered "Oh, right, Anna. Doll #2"
Kristoff saves her life on more than one occasion, on top of being genuinely caring about her situations, and working to find a solution for them. Anna gives him nothing. Supposedly she's more cautious, but as soon as he asks for her hand, she says yes. It felt like I missed something, especially because the last guy who asked for her hand betrayed her, I thought she'd be more apprehensive. It would be a better contrast to the flashback at the beginning when she was playing and made every single snow doll marry each other, and show how much she's grown. Instead of marrying purely because she likes the idea of being married. It would suit that more mature tone, and everything she said up to that point, and another good moral, but no. They made this relationship so toxic.
The humour in this film seems artificial and generic compared to the prior film. Lots of moments were cringey. Referencing the first film, using those clips, just reminded me that I could be watching that instead. Even Olaf was more of an exposition machine than comic relief, and I don't think he really added anything to the experience.
My other issue with this film is the ending. Some people love it: taking Elsa from a danger to her kingdom to being its protector. I like that they left elements up to audience interpretation, and it's Anna's finest moment, even if it's super rushed. It's Elsa's sudden deus ex machina that I take issue with.
It's cheap. I don't care for the song "Some Things Never Change" but it was a good mechanism to reintroducing is to this world, where these characters are now, settling us into the themes. Visually there was a lot of foreshadowing to other elements in the film. There was a huge part in that song about Arendelle and how it's flag will always fly, and it was super out of place. There was great importance put on that, but no payoff. They allude to change this whole film, and yet nothing much changes from the beginning of the film. Each character gets exactly what they want with no substantial hardships.
We never see much of Arendelle anyway: we aren't super attached to this kingdom. But we are, or should be, invested in this conflict. Arendelle itself was already in danger of destruction. How interesting would it be if Anna became queen of a kingdom that literally had to start over from scratch? Where she had to rule over bitter subjects with Kristoff at her side as her one comfort? A lasting consequence that challenges the audience, our characters, and provides a possible response to how much responsibility we need to take for our ancestors' actions. What the next right thing really means, and what we're willing to do for it.
Some of the dialogue was great, and we've never seen moments like it before in this kind of movie. I felt like some story elements could have gotten more focus, some a little less, but that's about it for the writing side of things.
It seems like the fans of the first got to shape how this one turned out. I remember a lot of people questioned why the first needed to have a villain, and here, there isn't any. People got upset that Kristoff didn't get a song, and here, he sings three. A huge complaint of the first was that there was no people of colour, and now we have Matias and the Northuldra people. Showing that you value what your audience has to say is really cool.
Every other element is done exceptionally well. The visual effects are absolutely stunning. It's amazing how much technology has changed in the last six years, and I could not give enough credit to that amazing team, because they practically made the whole movie. The locations are beautiful too, even though there isn't a tonne of variety, there is some creativity there, and wonderful colours that allow the costumes to pop. The voice acting is pretty good, though takes a second to get used to the replacement voiceiver artists in the beginning. I mentioned some of the songs already. Some people really like "Show Yourself" but it didn't register in the same way for me. I don't know if I'd say it beats out the original, but I like much of this score.
This wasn't an easy film to make, and I'm shocked how well it turned out to be, despite my issues with it. The trailers delivered almost everything that they promised: uncovering mysteries, character growth, and the promise of high stakes, all while giving us these stunning visual moments. It's clear that they put a lot of effort and care into this film, and I think we can appreciate that as an audience.
I hope this movie leads to more diverse storytelling from the company in the future. For the most part, I liked this direction, and I'd be excited to see them do more experimental projects like this.
It's a new decade. Let's see what Disney does with it.
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Frozen ii full movie. Frozen ii showtimes. Frozen ii cast. Frozen ii toys. Frozen ii 2020. Frozen ii characters. Frozen ii song. Frozen ice. Frozen pizza. Frozen ii download. Frozen iis. Frozen ii release date. Frozen in time. The songs are great. Best Song I hear Into The Unknown. Frozen ii all is found. Frozen ii coloring pages free. Frozen ii showtimes near me. Frozen ii soundtrack. Frozen ii hindi. Amazon frozen ii toys. Expected little going in but still left feeling ripped off, almost insulted by the ho-hum-algorithmic-washed-up storyline, characters, score/music, and animation/ visuals. Do better Disney. Please.
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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.
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He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.
Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.
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